During the winter of 2017 I was looking at various embroidery sites for stitches when I was making my embroidered crystal grids (see the Various Crafts gallery). I came across Maya Matthew’s Million Little Stitches site. I loved her stitch samplers being turned into a “book”. What a cool idea! I do not have enough bare walls to hang anything and the idea you can look through your samplers to decide on a stitch was a great concept to me. I read that she was part of the Pin Tangle’s TAST (Take a Stitch Tuesdays) group ( https://pintangle.com/tast-faq/) . I signed up to TAST for 2018. Stitching is good exercise for the fingers, good for the creative mind and relearning this craft is a plus for me.
I decided I wanted to make a book like Maya’s, but one that had ALL of the stitches I could find from Pin Tangle’s site, (she has an excellent stitch dictionary and instructions with photos for each stitch), and any not included on the site from my stitchery books. I listed all of the stitches, sorting them into stitch groups. Do note: Blanket stitch is now called Buttonhole stitch. When I was stitching the name next to my little sample, I went with the shorter word at times. So frown at me for being “incorrect”, I know to look for buttonhole in the book indexes.
I knew there would be stitches I would not enjoy doing. It is natural. Filling a 4″ x 6″ space with one stitch that I did not like to do after a short time would not work for me. It would make the whole thing a chore. Also, there is the fact that there are 382 stitches on my list. Woof. That would make a very thick tome too thick to look through.
What I decided to do instead was to make pages with 3 or more stitches from a group. The first stitch, Running stitch, was the only stitch that got one page to itself. It is the most-used stitch for many things, including quilting and sewing. Getting it evenly spaced and in length is a weak point for me. Each page was half of a full sheet (2 pages per sheet). The photos show what I mean. I used what little sizing information Maya provided, adding an extra 1/4″ on the outer edge. She blanket, er, buttonhole-stitched the raw edges of the fabric pages together. I wanted to sew mine. That is covered in part 2, the construction of the books.
With my slight change, each page was 10″ wide by 7-1/2″ tall. I bought 100% cotton tea towels. NOTE! The slightly cheaper store-brand towels are pure crapola. They may be the same thread count, but they were half of the weight of the slightly more expensive name-brand. The cheaper ones stretched on the hoop stayed slightly stretched and warped. Stitching on them was frustrating too. They are too thin to be a good base to learn upon for me. You, of course, can use what you want.
I washed the towels and removed the stitching of the edges to get the full size of the towels. I pressed them well. Pressed means that. Ironing by moving the iron around with pressure can stretch the material out of whack. I made a pattern for easy tracing of the correct size of my page sheet with thick card stock. I used a blue washable fabric pen to make the lines. I then measured and made the lines 1/2″ inside from the outer edge I had just made with a ruler, being straight-line drawing impaired. Finally, I marked out the 6″ tall by 4″ wide blocks 1/4″ in from the previous line with 1/2″ between the 2 blocks for the middle of the page sheet.
Not being an exciting task, I listened to audio-books while stitching around the first outer edge line in running stitch with white thread and the 2nd inner line with a pale blue thread. I did not stitch around the blocks for the stitch samples. This stitching was to ease finding the lines needed for finishing after making the samplers and rinsing in cool water to remove the pen lines. I got 6 page sheets per tea towel, by the way. I made enough pages to hold the amount I would need to fill with the stitch sampler book.
I kept one shelf from my old refrigerator when I realized it would make a great light table for tracing, being on a metal base that is taller in the back than the front. After taping a piece of paper with the layout design for two sampler blocks onto the glass, I taped the fabric, (I used blue painter’s tape), added a blinding light under the glass and traced the layout for each block with the blue washable fabric pen. Note: after penciling a design on the paper, go over it with a black felt-tip pen to make it easy to see for tracing onto the fabric. I need lines to stitch. Trying to get a straight line or circle was, well, yeah… See my photos above to see what I did.
I found an 8″ square-ish embroidery hoop and dressed it. I cut the tea towel into 6 pieces evenly to have as much material around the edges as possible. I ended up sewing three 5″ wide strips of cotton material into a “U” and would baste it onto the end of a page to have plenty of material for the hoop. I would remove the basted U-piece and would re-baste it to the other side when I finished the first block before putting it on the hoop. A frame-shape would have been smarter, now that I think about it. laughing… I was so into getting as many sheets per tea towel, I did not realized it made it hard to get a good amount of overhang for securing into the hoop. oops.
I ended up with 34 full pages, or 68 blocks/sampler pages. It sounds weird, I know. All of the stitches I used covered the full year of TAST stitches and covers the current year’s (2019) Beyond TAST challenge. I jumped ahead a bit.
Once I finished all of the samplers, I started on my plans to make them into books. This will be covered in Part 2. I am not happy with my photos of each full page of the finished books and may try to retake them. It is winter when I took them, making the lighting hard to get right. I may post them and redo the photos this summer.
I still thought this could be one book since I put 3 or more stitches per sampler block. Silly me. I ended up with 3 books. laughing…
I found some of the stitches a delight to stitch, some a challenge and some a real booger to get even close to looking halfway decent or correct. There are many stitches that are close enough to substitute a more pleasant stitch to work for ones that I could not get done neatly. I know, practice makes perfect, but if the stitch is displeasing to do, no amount of practice will make it look decent. I think the ones I had trouble with are the ones I did not care for the way they looked and the method was not smooth for me to stitch. I found I am not fond of satin stitches. One form used an outline to stitch over that helped me. I think a thicker thread may suit me better for doing that stitch if I need to use it. eh…
I should note: I used 3 threads of 6-strand floss for most of the stitch samples. I used #11 glass seed beads for the stitches with beads. I used 2 threads of the 6-strand floss for the stitch’s name. I know they are a bit wonky. I had a heck of a time following my print-letters most of the time. I made the stitch names too small for me to stitch or my handwriting sucks. I should have got fabric paint for the names. Hindsight is a wonderful thing.
If I had young children or grandchildren, the method of construction of the fabric books would work well if you wanted to make a special book for a child.
All in all, I enjoyed the whole project a lot. It was nice to quietly stitch in the evening. It became a form of meditation. Not a bad thing, really.